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Colours often contrasted in the same outfit. All colours came from natural dyes and so the most common for the aristocracy were red, blue, yellow, green, grey, and brown. As natural dyes tend to fade relatively quickly , wearing the brightest colours clearly showed one had the newest of clothes. Some dyes were expensive to produce such as scarlet and black and so these were another indication of wealth and status.
Buttons, typically small in size but large in number, were a similar badge of wealth with the cheapest using wood, bone or horn and the more dazzling made using gold, silver, or pewter. Similarly, instead of buttons a garment might be closed or joined to another by tying a ribbon through matching holes. These ribbons were known as 'points' and the ends could be decorated with pieces of metal. In the absence of pockets, both men and women wore belts or girdles from which were suspended purses, daggers, and rapiers for men, and mirrors, grooming kits, and fans for women. This portrait shows the adaptation of fashion to accommodate pregnancy.
Children's fashion
Her low-necked chemise is just visible above the arched bodice, 1572. This law also provided for the type of fabric, colours and the materials that were to be used whilst making clothes depending upon the social rank of the people. Thus, based upon the social position of a person the material or fabric to be used for his clothes was determined. A third alternative was to wear a gown which was essentially a skirt and bodice attached together and worn over undergarments.
Nicholas Hilliard's Unknown Woman wears a cutwork cartwheel ruff. Her stomacher and wired heart-shaped coif are both decorated with blackwork embroidery, 1585–90. To further lighten their complexion, women wore white make-up on their faces. This make-up, called Ceruse, was made up of white lead and vinegar. While this makeup was effective, the white lead made it poisonous. Women in this time often contracted lead poisoning, resulting in death before the age of 50.
Elizabethan Era
Around 1570, this padding was exaggerated into a peascod belly. The Dogaressa of Venice wears a cloth of gold gown and matching cape and a sheer veil over a small cap, 1590s. Queen Elizabeth was a great follower of fashion. While in private she preferred to wear simple gowns, and would reputedly wear the same plain gown for two or three days, when she was in public, she dressed to impress.
The blue colour was normally worn by those persons who worked as servants. As per the Bible, the Blue colour resembles ‘heavenly grace’. The Blue colour or dye was basically obtained from Woad leaves. The leaves were firstly dried, then crushed and ultimately composted with manure. Here is the meaning of the Blue colour in detail.
Elizabethan black
Sir Walter Raleigh wears the Queen's colors . His cloak is lined and collared with fur, 1588. An Italian tailor wears a pinked doublet over heavily padded hose. Henry, Duke of Anjou, the future Henry III of France and Poland, wears doublet and matching cape with the high collar and figure-of-eight ruff of c. Thomas Howard, Duke of Norfolk wears a shirt trimmed in black on ruff and sleeve ruffles. The Infanta Isabella Clara Eugenia of Spain is seen here again wearing a Spanish farthingale, a closed overskirt, and the typically Spanish, long, pointed oversleeves.
During this period, women's underwear consisted of a washable linen chemise or smock. This was the only article of clothing that was worn by every woman, regardless of class. Wealthy women's smocks were embroidered and trimmed with narrow lace. High-necked smocks were worn under high-necked fashions, to protect the expensive outer garments from body oils and dirt. There is pictorial evidence that Venetian courtesans wore linen or silk drawers, but no evidence that drawers were worn in England.
What little black dress styles are trending?
These derived from the flat hat of the previous period, and over time the hat was stiffened and the crown became taller and far from flat. Later, a conical felt hat with a rounded crown called a capotain or copotain became fashionable. These became very tall toward the end of century. Hats were decorated with a jewel or feather, and were worn indoors and out. 1580 wear gowns with wide French farthingales, long pointed bodices with revers and open ruffs, and full sleeves.
Hair was generally worn short, brushed back from the forehead. Longer styles were popular in the 1580s. In the 1590s, young men of fashion wore a lovelock, a long section of hair hanging over one shoulder. Short cloaks or capes, usually hip-length, often with sleeves, or a military jacket like a mandilion, were fashionable. Long cloaks were worn in cold and wet weather.
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